Works composed for and premiered by NOISE-BRIDGE:
Composer | Title | Location of Premiere | Date of Premiere |
Matt Aelmore | Aria of a Young Woman | New York City, U.S.A. | 2010 |
Matt Aelmore | Cowboy Rock ‘n Roll U.S.A.,
a musical-theatrical evening |
Stuttgart, Germany | 2014 |
Matt Aelmore | Pierrot’s First Musing | New York City | 2011 |
Matt Aelmore | Pierrot’s Second Musing | Esslingen am Neckar, Germany | 2014 |
Drake Andersen | Les sphères englobantes | Stuttgart | 2015 |
Drake Andersen | Photons | Baltimore, U.S.A. | 2010 |
Marco Bidin | Face to Face
(with TRIO FORTAGNE & TRIO vis-à-vis) |
Stuttgart | 2015 |
Eliza Brown | Mirror Canons | Chicago, U.S.A. | 2013 |
Beatrice Campodonico | In eco | Ascoli Piceno, Italy | 2015 |
Francesco Cipriano | Le Onde (su testo di Gabriella Moruzzi) | Lucca, Italy | 2015 |
Andreina Costantini | Liebeslied (su temi della ‘Incoronazione di Poppea’ di Claudio Monteverdi) | Lucca | 2015 |
Nicholas DeMaison | KhiRe (multiple duo movements) | Stuttgart | 2018-19 |
Girolamo Deraco | Èsprit de l’escalier
mini-monodrama in the form of a déjà vu with text by Vincenzo Reale |
Lucca | 2015 |
Hannes Dufek | AUSSEN II / von Aussen | Stuttgart | 2015 |
Sebastian Elikowski-Winkler | (The) long[PLAY] and [RE]winding (road) […] | Ascoli Piceno | 2015 |
Gregory Emfietzis | Temporality | New York City | 2011 |
Chris Fisher-Lochhead | Tandem | Chicago | 2013 |
Turkar Gasimzada | birds whisper | New York City | 2011 |
Turkar Gasimzada | Bu Axsham, Qushlar | Esslingen am Neckar | 2014 |
Ada Gentile | Perché | Lucca | 2015 |
Christopher Goddard | Vox Regula | Reutlingen, Germany | 2016 |
Anthony R. Green | conduct thy footsteps | Stuttgart | 2019 |
Anthony R. Green | NederDeutschLish | Stuttgart | 2022 |
Rahilia Hasnova | Pendulum Clocks
(chamber opera) |
Stuttgart | 2014 |
Colin Holter | ART AND CRAFT | Stuttgart | 2016 |
Martin Iddon | Muses | Stuttgart | 2019 |
Ui-kyung Lee | an in-between ; please be always as you are | Stuttgart | 2017 |
Francesco Maggio | Oggi è ancora YESTERDAY | Ascoli Piceno | 2015 |
Francesco Maggio | Propaganda | Reutlingen | 2016 |
Michael Maierhof | daily songs 6 | Stuttgart | 2015 |
Matteo Manzitti | Wrong Predictions | Lucca | 2015 |
Paolo Marchettini | Sont des mots | Ascoli Piceno | 2015 |
Joseph Michaels | This is music? | Stuttgart | 2018 |
Günay Mirzayeva | Love is you | Ascoli Piceno | 2015 |
Frederik Neyrinck | Echo de Baudelaire | New York City | 2011 |
Nicholas Peters | Genau | New York City | 2011 |
Jimmy Roberts | The Heart of the Matter
(new arrangement) |
New York City | 2011 |
Stuart Saunders Smith | All Too Human | New York City | 2011 |
Stuart Saunders Smith | Blessings | Stuttgart | 2016 |
Stuart Saunders Smith | RE: Verse | Stuttgart | 2015 |
Other NOISE-BRIDGE Repertoire (including works with other instruments)–also includes works composed specifically for NOISE-BRIDGE:
Composer | Title | Notes |
Georges Aperghis | 7 Crimes de l’Amour (1979) | With percussion |
Georges Aperghis | Cinq Couplets (1988) | |
Georges Aperghis | Simulacre I (1991) | With percussion |
Tzvi Avni | Leda and the Swan (1976) | |
Elliott Carter | Poems of Louis Zukofsky (2009) | |
Carolyn Chen | The Mussels (arr. 2018) | With piano four hands; arranged for NOISE-BRIDGE and Bugallo-Williams Piano Duo |
Nicholas DeMaison | KhiRe (2017-2019) | With violin, cello, piano & second clarinet; composed for NOISE-BRIDGE and ensemble cross.art |
Pascal Dusapin | So Full of Shapes is Fancy (1990) | |
Jan Kopp | Achmatowa-Lied (2002) | |
Jan Kopp (arr.) | “In stiller Nacht” & “Trennung” (J. Brahms) | |
Matthew Ricketts | Second Ocean (2018) | With piano four hands and cello; composed for NOISE-BRIDGE & ensemble cross.art |
Stuart Saunders Smith | Notebook (1980) | Version CFB |
Ralph Vaughan Williams | Three Vocalises (1958) |